Ressuscitant de l'étreinte de la Sirène

from by Robert Curgenven

  • Record/Vinyl + Digital Album

    R E V I E W S
    Mojo – ★★★★ "deep satisfying weight. The results gull the senses"
    The Wire – “There is an epic quality to Curgenven’s conception, but also an awareness of the uncanny, as if he were triangulating between Homer, the Shakespeare of The Tempest and [Cornish writer] Daphne Du Maurier. .. remarkable music”
    FACT magazine – “Curgenven really excels as he charms easily with a selection of expertly treated pipe organ recordings… his most definitive work today… astounding”
    the Quietus - "A frequently beautiful, often overwhelming yet always intriguing record”
    Boomkat – “gorgeous drone works, massively recommended… hovering mictotonal moire”
    Dusted – “Robert Curgenven has delivered one of the most exquisitely beautiful albums of 2014”
    Gonzo (circus) magazine – “a provocative conceptual journey album”
    Crow with no Mouth – “radiant, disquieting architecture"
    OtoRoku/Café Oto – “Gorgeous collection of Curgenven's works for pipe organ (1983-2014) mostly recorded around his adopted home of Cornwall and produced to exacting spec (via a Rashad Becker/D&M cut no less) ”
    Just Outside - "a fascinating chromaticism… A unique, superb recording. Don't let it pass you by."
    The Field Reporter - "'Sirène' is abyssal, displaying an enormous force at work... a vortex of vivid sensations...”
    Lend Me Your Ears - "it's hard to keep the jaw undropped at the flaunting of those powers"
    ATTN Magazine – “restlessly harmonic clouds that sweep everything into a state of transience and circumvention”
    Freq magazine – “an immense sense of gravity held in suspension… mind-boggling in their sheer presence.”
    Fluid Radio – “often feels more like a force such as a tide or gale than a tone or collection of tones”
    Infinite Grain – “Dense microtonal clouds, extensive harmonic sweeps and a constant and slow dance of surprises”
    Norman Records – “One to avoid if you don't like drones, but if you do then there's plenty to get your teeth into here.”

    Includes unlimited streaming of SIRÈNE via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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pipe organ section from “and only the dogs and the fires on the horizon” (on “They tore the earth and, like a scar, it swallowed them” - RFE_02, released September 2014). Originally composed at Trewetha, Cornwall, February & WORM studio, Rotterdam, Netherlands (October 2012). Expanded and remixed In Melbourne, Australia (February 2014) and Spreewald, Germany (March/April 2014) with moments of microtonal dubplates & turntables.


from SIRÈNE, released May 19, 2017



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Robert Curgenven Cork, Ireland

Curgenven uses sound as a physical field of perception to encourage us to consider our physical experience of sound through our bodies, the space they inhabit and also the psychological shaping of time and duration by the auditory. For him sound is weather and his work entreats us to feel and hear air. - spanning pipe organ to feedback, immersive resonances, dubplates & detailed field recordings. ... more

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